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Issue 58.4, Winter 2017

Table of Contents

Killian Quigley, “Boggy Geography and an Irish Moose: Thomas Molyneux’s New World Neighborhood.”

Julia Simon, “Dangerous Liaisons: Reflections on the Politics of Confidentiality in the Cyber-Age University.”

Kristina Straub, “The Soldier in the Theater: Military Masculinity and the Emergence of a Scottish Macbeth.”

Joel P. Sodano, “Uneasy Passions: The Spectator‘s Divergent Interpretations of Locke’s Theory of Emotion.”

Nicole M. Wright, ““Willing Victims”?: Disavowed Consent and Formal Deviance in Fielding’s Amelia.”

Michael A Osborne, “Revolution, Terror, Contingency, and Potatoes.”

Tonya Howe, “Making a New Kind of Modern: On the Arts in the Age of Anne.”

Alexander Dick, “Moderate Enlightenment and Religious Controversy in Eighteenth-Century Scotland.”

John Savarese, “Orality, Primitivism, and Poetry’s Mediated Publics.”

Nicole Garret, “Recovering a Sentimental Past.”


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